Celena Shafer – Press
Reviews
Leonard Bernstein with the Pacific Symphony
Pacific Symphony honors Leonard Bernstein in the first of 3 concerts
The Orange County RegisterOctober 26, 2018
“..“A Little Bit in Love” from “Wonderful Town” and “Glitter and Be Gay” from “Candide,” were all memorably rendered by soprano Celena Shafer, who did more than just sing them: she lived through them”
Beethoven 9 with the Omaha Symphony and Festival Chorus at Holland Center
Review: Omaha Symphony finishes season on right note with Bernstein, Beethoven
Omaha World-HeraldJune 9, 2018
“Shafer in particular displayed a contagious joy while she sang.”
Bernstein with the New West Symphony, the Gay Mens Chorus of Los Angeles and John Mauceri
‘Bernstein on Stage’ is a winning study of the composer’s works
Pasadena Star-NewsNovember 23, 2017
“…But it was coloratura soprano Celena Shafer who brought the house down with her diamond-cut rendition of ‘Glitter and Be Gay’ from ‘Candide.’”
Bernstein with the New West Symphony, the Gay Mens Chorus of Los Angeles and John Mauceri
Bernstein’s spirit brought back to the stage, from ‘Fancy Free’ to ‘1600 Pennsylvania Avenue’
Los Angeles TimesNovember 19, 2017
“A highlight was coloratura soprano Celena Shafer’s and mezzo-soprano Suzanna Guzmán’s charming poignancy in ‘Ohio’ from ‘Wonderful Town.’… …Shafer’s rendition of the fiendishly difficult ‘Candide’ coloratura showpiece, ‘Glitter and Be Gay,’ brought the audience to its feet.”
Bernstein with the New West Symphony, the Gay Mens Chorus of Los Angeles and John Mauceri
Bernstein on Stage
HuffPostNovember 18, 2017
“The soloists were universally solid… [with] …Shafer displaying vocal gymnastics in ‘Glitter and Be Gay’ from Candide…”
Mozart's C Minor Mass with the Utah Symphony Chorus
A ‘Great’ season debut for the Utah Symphony Chorus
The Salt Lake TribuneNovember 10, 2017
“Celena Shafer, leading a nicely matched quartet of soloists, sang the ‘Et incarnatus est’ section with such warmth and beauty, the other musicians had to take a moment before proceeding with the ‘Sanctus.’”
Musetta in La Bohéme with the Utah Opera
Review: Utah Opera’s La bohème Hits All the Right Notes.
Salt Lake MagazineOctober 9, 2017
“…the real show stopper is Celena Shafer as Musetta, Marcello’s flirtatious love interest with a heart of gold. Her voice is so controlled and beautiful, and her performance so on point, that you can’t help but root for the lady, even when she’s toying with our hero’s heart.”
Musetta in La Bohéme with the Utah Opera
Review: Do you need to see yet another ‘Bohème’? Actually, yes.
The Salt Lake TribuneOctober 8, 2017
“…she’s still a force of nature, and she put on a veritable singing clinic in Act 2. Like Marcello, you’ll probably find that resistance is futile.”
Marzelline, Beethoven's Lenore, with the Washington Concert Opera
Exhumed opera offers a trip into Beethoven’s head
The Washington PostMarch 6, 2017
“…she still commands the fulsome beauty of tone many of us remember from the start of her career.”
Touring Utah‘s National Parks with Utah Symphony
Touring Utah‘s National Parks with Utah Symphony
The Salt Lake TribuneAugust 14, 2014
“Utah soprano Celena Shafer dazzled the crowd with her effervescent performance of Johann Strauss Jr.’s ‘Voices of Spring,’ a piece she said has been on her wish list for a long time.”
Touring Utah‘s National Parks with Utah Symphony
Barnstorming Utah’s National Parks
The Wall Street JournalAugust 13, 2014
“…Bisected by the waltz ‘Voices of Spring,’ composed by Johann Strauss Jr. and sung by the gifted, silver-voiced soprano Celena Shafer. A Utah native who continues to make her home in the state, she wowed the crowd—and with good reason, given her technical facility and unaffected manner.”
Mozart's Abduction From the Seraglio with Utah Opera
Mozart’s Abduction From the Seraglio with Utah Opera
The Salt Lake TribuneMay 11, 2014
“The production’s biggest draw is Celena Shafer, the Utah-born soprano who has sung leading roles in many of the world’s leading opera houses. Shafer stars as Konstanze, a Spanish noblewoman stuck in a Turkish harem, where her trying circumstances inspire her to sing some of the most virtuosic music Mozart ever devised. The apparent ease with which she executed the coloratura gymnastics of ‘Martern aller Arten’ on opening night made her spectacular delivery of the aria all the more impressive.”