Dashon Burton – Press
Reviews
The Washington National Cathedral Choir and Baroque Orchestra
D.C. choruses light up the holidays
The Washington PostDecember 11, 2023
“Burton’s substantial bass was a special treat all night”
Solo Debut Recital at Celebrity Series of Boston
Making his Celebrity Series solo debut, Dashon Burton is a dream come true
The Boston GlobeMay 26, 2022
“…watching him sing feels like looking directly at the sun — he is alight with the spirit of the music.”
Dashon Burton performs with the Cleveland Orchestra and Michael Tilson Thomas
Review: Cleveland Orchestra, Tilson Thomas beguile listeners with new ‘Meditations on Rilke’
Cleveland Plain DealerFebruary 21, 2020
“…the two artists evinced stunning versatility, bringing to the musical poetry enormous palettes of color, power, and expression.”
Mozart's Requiem with the Bach Choir of Bethlehem
Review: Bach Choir of Bethlehem spring concert an emotional tour de force
The Morning CallApril 17, 2019
“Dashon Burton’s thundering basso in “Tuba mirum” was a stunner…”
Handel's "Jephtha" with Boston Baroque
Boston Baroque’s ‘Jephtha’ finds its way at Jordan Hall
The Boston GlobeMarch 9, 2019
“Dashon Burton was in his thunderous element as Zebul, delivering the kind of top-shelf performance that has sealed his reputation as one of today’s most compelling performers of sacred music.”
Recital at San Francisco Performances PIVOT! Series
Review: Dashon Burton’s potent SF recital explores the cultural meaning of song
Datebook San Francisco ChronicleJanuary 28, 2019
“Each was illuminated by Burton’s wondrous musical gifts — his robust, sinewy vocal tone, probing interpretive mastery and charismatic communicative directness.”
Ned Rorem Concert at Brooklyn Art Song Society
Art song grows in Brooklyn with an enchanting evening of Ned Rorem
New York Classical ReviewJanuary 5, 2019
“What better instrument to convey this poet’s passion and fierce irony than the massive yet hyperarticulate bass-baritone of Dashon Burton? The appalled poet’s words amid the carnage came intensely to life in Rorem’s unsparing settings, as Burton’s powerful delivery of the text was matched by Michael Brofman’s bold performance of the challenging, volatile piano part.”
Beethoven's 9th Symphony with the Cincinnati Symphony Orchestra
REVIEW: Beethoven’s Ninth crowns inspiring night at CSO
Cincinnati Business CourierNovember 11, 2018
“…Burton, a bass-baritone with communicative power and a commanding presence.”
Dvořák’s “Stabat Mater” with the Houston Symphony
Soloists, Houston Symphony bring quiet intensity to Dvořák’s “Stabat Mater”
Texas Classical ReviewSeptember 28, 2018
“…he brought ardor and urgency to the prayer “Fac ut ardeat.” And not many basses could match the deftness he brought to the more lyrical turns. “
Recital at Ashmont Hill Chamber Music
Dashon Burton Steadfast and Noble in Ashmont
The Boston Musical IntelligencerSeptember 18, 2018
“Tall, with a strong rectangular face and impressive dreadlocks, Burton strikes an imposing presence. His employs a strong and pure, steadfast and noble voice with subtlety in interpretation, and avoids the overtly dramatic.”
Belshazzar's Feast at Grant Park Music Festival
Review: Grant Park Music Festival opens with a choral blockbuster under friendly skies
Chicago TribuneJune 14, 2018
“Bass-baritone Dashon Burton’s firm, powerfully expressive delivery of the biblical text made him a commanding soloist.”
Belshazzar's Feast at Grant Park Music Festival
Grant Park Music Festival opens season with a powerful Walton punch
Chicago Classical ReviewJune 14, 2018
“This young American singer is the real thing–a bass-baritone with a rich, rounded voice, faultless diction and a natural, expressive style that had one hanging on every word. Burton’s dignified singing of his solo passages added a gravitas that Walton’s quirky confection can use, providing dramatic weight and confiding intimacy as needed.”
Sanctuary Road by Paul Moravec with the Oratorio Society of New York
Peace and freedom reign in two premieres by Oratorio Society of New York
New York Classical ReviewMay 18, 2018
“The performance largely belonged to the five soloists, four portraying various fugitives plus the clear-voiced bass-baritone Dashon Burton in a sturdy turn as William Still himself.”
Sanctuary Road by Paul Moravec with Kent Tritle and Oratorio Society of New York at Carnegie Hall
MORAVEC: Sanctuary Road | Kent Tritle & Oratorio Society of New York
Opera NewsMay 7, 2018
“…the reverberant and eloquent bass-baritone Dashon Burton sang the role with quiet authenticity, depth, and tenderness.”
Samuel Barber's Dover Beach with A Far Cry
Seriously Splendid Strings and Baritone
Boston Musical IntelligencerFebruary 13, 2017
“…Burton’s gorgeous singing rose (with the Criers) to just the right level of real dramatic intensity for the climactic complaint of a world which ‘Hath really neither joy, nor love, nor light / Nor certitude, nor peace, nor help for pain.’ The beautifully shaped epilogue brought Dover Beach to its close.”
Handel's "Messiah" with St. Paul Chamber Orchestra and Minnesota Chorale, led by Paul McCreesh
Choral expert McCreesh brings clarity, drama to SPCO’s ‘Messiah’
Star TribuneDecember 18, 2016
“…Burton’s account of ‘The trumpet shall sound’ was the high point of the evening, delivered with sovereign certitude and the fervor of a revivalist preacher. It was an astonishingly stirring piece of singing, and one that will live long in the memory.”
Handel's 'Messiah' with St. Paul Chamber Orchestra and Minnesota Chorale, led by Paul McCreesh
Review: SPCO offers a ‘Messiah’ that resonates
Pioneer PressDecember 17, 2016
“For each had at least one exceptional solo, most notably bass Dashon Burton’s captivatingly quiet air…”
CD Review: Songs of Struggle & Redemption: We Shall Overcome
Review: Works With Hélène Grimaud, Daniel Barenboim and Others …
The New York TimesMay 6, 2016
“…the real gem of the disc, at the end of those sets, is unaccompanied: Mr. Burton’s profoundly moving — indeed, haunting — interpretation of the crucifixion anthem ‘He Never Said a Mumblin’ Word.’ ”
St. Matthew Passion at Baldwin Wallace
Bach Festival at Baldwin Wallace concludes with hair-raising ‘St. Matthew Passion’ (review)
The Plain DealerApril 18, 2016
“As Jesus, Burton brought a deep and rich tone to the tragic role, and was especially moving when he sang ‘My soul is grieved to the point of death; stay here and keep watch with me.’ ”
Brahms' Requiem with Seraphic Fire
Seraphic Fire reaches the heights with a moving Brahms Requiem
South Florida Classical ReviewApril 9, 2016
“Dashon Burton’s commanding bass-baritone resounded through the sanctuary in imposing fashion as he told of the last trumpet sounding and the dead being raised. With firm low notes and a rich timbre, Burton brought powerful declamation and real expressive drama to Brahms’ dark and powerful setting of this text.”
Schubert's 'Die Winterreise' with Diderot String Quartet
Diderot String Quartet’s odd rendition of Schubert’s ‘Winterreise’
The Washington PostJanuary 17, 2016
“Burton, blessed with a voice that glows from bottom to top, projected intimacy, even in the imposing space of the Great Choir. He seemed to delight in the text and did not hesitate to whisper in the moments of greatest intensity. He used his considerable power sparingly, but it was clear that there was a lot there.”
'Messiah' with Boston Baroque
Boston Baroque’s ‘Messiah’ rings beautifully
The Boston GlobeDecember 14, 2015
“Bass-baritone Dashon Burton raised the dead during a standout ‘The trumpet will sound,’ slowly folding in ever more intensity and warmth, matching brilliance with Robin Pyle’s resounding Baroque trumpet and provoking sudden applause.”
Ghost of Samuel in Handel‘s Saul, Twelfth Night Festival
An Unhinged King’s Downfall, in a Chapel Setting
The New York TimesJanuary 4, 2015
“Dashon Burton, a bass-baritone, was typically stellar and mightily imposing.”