The Juilliard String Quartet Photo: Lisa-Marie Mazzucco download

The Juilliard String Quartet



With unparalleled artistry and enduring vigor, the Juilliard String Quartet (JSQ) continues to inspire audiences around the world. Founded in 1946 and hailed by The Boston Globe as “the most important American quartet in history,” the ensemble draws on a deep and vital engagement to the classics, while embracing the mission of championing new works, a vibrant combination of the familiar and the daring. Each performance of the Juilliard String Quartet is a unique experience, bringing together the four members’ profound understanding, total commitment, and unceasing curiosity in sharing the wonders of the string quartet literature.

Adding to its celebrated discography, an album of works by Beethoven, Bartók, and Dvořák is set to be released by Sony Classical in spring 2021. Additionally, Masterworks is releasing a JSQ catalog release (The Early Recordings) in May 2021. In the fall of 2018, the JSQ released an album on Sony featuring the world premiere recording of Mario Davidovsky’s Fragments (2016), together with Beethoven’s Quartet Op. 95 and Bartók’s Quartet No. 1. Additionally, Sony Classical’s 2014 reissue of the Juilliard Quartet’s landmark recordings of the first four Elliott Carter String Quartets along with the 2013 recording of Carter’s fifth quartet traces a remarkable period in the evolution of both the composer and the ensemble. The quartet’s recordings of the Bartók and Schoenberg Quartets, as well as those of Debussy, Ravel and Beethoven, have won Grammy Awards, and in 2011 the JSQ became the first classical music ensemble to receive a lifetime achievement award from the National Academy of Recording Arts and Sciences.

The 2019-20 season brought JSQ to concerts in Amsterdam, Vienna, Chicago, New York, and Sarasota, among others, in addition to their annual appearance at the Chamber Music Society of Detroit. The quartet also visited the newly-established Tianjin Juilliard School, giving master classes. In keeping with its mission to support the creation of invigorating new repertoire, the JSQ has commissioned the celebrated German composer Jörg Widmann to write two quartets for the ensemble to premiere next season alongside late quartets by Beethoven, and the recently premiered One Hundred Years Grows Shorter Over Time by Lembit Beecher.

Devoted master teachers, the members of the Juilliard String Quartet offer classes and open rehearsals when on tour. The JSQ is string quartet in residence at Juilliard and its members are all sought-after teachers on the string and chamber music faculties. Each May, they host the five-day internationally recognized Juilliard String Quartet Seminar. During the summer, the JSQ works closely on string quartet repertoire with students at the Tanglewood Music Center.

February 2021. Please discard previously dated materials and contact email hidden; JavaScript is required before making any alterations or cuts.


Areta Zhulla, Violin (The Juilliard String Quartet)
Areta Zhulla, violin
Ronald Copes, violin (The Juilliard String Quartet)
Ronald Copes, violin
Roger Tapping, viola (The Juilliard String Quartet)
Roger Tapping, viola
Astrid Schween, Cello (The Juilliard String Quartet)
Astrid Schween, cello

Example Programs

  • Program I, 19/20

    • Beethoven: Quartet No. 1 in F major, Op. 18, No. 1
    • Kurtág: 6 Moments Musicaux Op. 44 or Dutilleux: “Ainsi la Nuit”
    • Beethoven: Quartet No. 14 in C minor, Op. 131
  • Program II, 19/20

    • Mozart: Quartet No. 17 in B-flat major, K. 458, “The Hunt”
    • Britten: Quartet No. 3, Op. 94 or Dutilleux: “Ainsi la Nuit”
    • Brahms: Quartet in A minor, Op 51, No. 2
Contact Us for More Program Options

Essential Links

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Press Quotes

“Whether playing Beethoven, Schubert, Bartok or Carter, the Juilliard Quartet remains unsurpassed in bringing attention to details and expressive devices.”

Cleveland Plain Dealer

“The Juilliard String Quartet, in its more than 50 years, has made it a point of honor to approach contemporary pieces with the same care and respect as it would established classics, and to approach antique masterworks with the sense of excitement and adventure it would the newly minted.”

The New York Times

“Each of the four has a notably beautiful tone, a sound that sings out but also blends. They show a shared understanding of the music they play; every bow stroke adds to its meaning and its integrity.”

Chicago Tribune
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