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Heath Quartet



The Telegraph calls the “delicate perfection” of their sound “a marvel,” with “an exquisite tenderness,” and The Washington Post praises their “winsome blend of impetuosity and discipline.

The dynamic and charismatic Heath Quartet is one of the most exciting British chamber ensembles of the moment, steadily building a reputation for their upbeat and integrated sound. Their recording of Sir Michael Tippett’s string quartets (Wigmore Live) received widespread acclaim and won the 2016 Gramophone Chamber Disk of the Year. A subsequent, critically acclaimed release on Harmonia Mundi of Tchaikovsky’s Quartets Nos. 1 and 3 was selected as Disk of the Week by both The Sunday Times and BBC Radio 3. The Quartet’s complete Bartók cycle (recorded live at the Wigmore Hall) was released by Harmonia Mundi (June 2017). The Heath Quartet became the first ensemble in fifteen years to win the prestigious Royal Philharmonic Society’s Young Artists Award (1913). Formed in 2002 at the Royal Northern College of Music they were selected for representation by YCAT, awarded a Borletti-Buitoni Special Ensemble Scholarship, and in 2012 won the Ensemble Prize at the Festspiele Mecklenburg-Vorpommern where they are now regular invitees.

Champions of contemporary music, the Quartet has worked with numerous leading composers including Hans Abrahamsen, Louis Andriessen, Brett Dean, Anthony Gilbert, Sofia Gubaidulina, Steven Mackey, and John Musto.

With a deep commitment to education, the Heath Quartet members are Professors of Chamber Music at the Guildhall School of Music and Drama, individually holding instrumental teaching posts on the faculty. Education and outreach work are very important parts of the Quartet’s life.

Sara Wolstenholme, violin
Juliette Roos, violin
Gary Pomeroy, viola
Christopher Murray, cello

April 2024. Please discard previously dated materials and contact email hidden; JavaScript is required before making any alterations or cuts.

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Press Quotes

“A performance of unforced beauty and tremulous tension.”

The Times

“If the Haydn slow movement had been heavenly, so was the truly inspired, time-stopping playing in Beethoven’s Adagio, the most impressive part of an exceptional evening.”

The Perthshire Advertiser

“The delicate perfection of the sound was a marvel, and in leader Oliver Heath’s hands the recurring dropping figure had an exquisite tenderness.”

The Telegraph

“Their account of Beethoven’s Quartet in E flat, Op 74 was suavity itself.”

The Sunday Times
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