Juilliard String Quartet In Europe, January 2019

After wrapping up an exciting and acclaimed fall highlighted by Areta Zhulla’s debut as first violinist – alongside violinist Ronald Copes, violist Roger Tapping, and cellist Astrid Schween – the Juilliard String Quartet returns to the UK and Europe this month, with two Wigmore Hall concerts and dates in the Netherlands, Spain, Greece, and Norway.
                    M O N 14 J A N | London, Wigmore Hall BBC Concert
T U E 15 J A N London, Wigmore Hall
W E D 16 J A N | Copenhagen, Mogens Dahl Koncertsal
F R I 18 J A N | Santander, Palacio de Festivales
                                           S U N 20 J A N | Thessaloniki Concert Hall, Thessaloniki
T U E 22 J A N | Haagse Theater Diligentia, The Hague
T H U  24 J A N | Leidse Schouwburg Stadsgehoorzaal, Leiden
S A T 26 J A N | Stormen KonserthusBodø
S U N 27 J A N | Bergen Chamber Music Society, Bergen
T U E 29 J A N | Oslo Opera House, Oslo

In September, the quartet gave the world premiere of Lembit Beecher’s One Hundred Years Grows Shorter Over Time, commissioned for the JSQ in honor of the 100th anniversary of South Mountain Concerts.  And in October, they toured Asia visiting cities including Hong Kong, Shanghai, Singapore, and Tokyo.In North America, 2019 engagements include New YorkDetroitVancouver, and the Kennedy Center in Washington D.C., and a special collaboration with pianist Marc-André Hamelin at the 92nd Street Y in New York City, Philadelphia Chamber Music Society, and Music Toronto.

Enjoy recent performances on the JSQ Youtube Channel below:

Haydn String Quartet in F Major, Op.77 No.2, III Andante
at YAMAHA HALL, Tokyo, Oct. 24, 2018  Video: TV MAN Union Channel

Bartók String Quartet No. 3 at YAMAHA HALL, Tokyo, Oct. 24, 2018
Video: TV MAN Union Channel

Please subscribe, and stay tuned for more new JSQ videos soon!

R E C E N T   P R E S S
“Executed as by the unfailing hands of surgeons, over the course of the evening, the Juilliard String Quartet performed with barely containable ardor—that at moments impelled their bodies to rise upward from the benches and chairs they sat upon—displaying unparalleled artistry, effortlessly laying claim to a shared sovereignty as one of the world’s finest.”
– Xavier Omar Otero, Tucson Weekly, Dec. 11, 2018
“This evening with the Juilliard String Quartet clearly showed that in traditional programs, music played at the highest level can be its own draw.”
– David Kulma, Cleveland Classical, Dec. 10, 2018
Connect with the Juilliard String Quartet on

FacebookInstagramTwitterYoutube

and on their website: 

www.juilliardstringquartet.com

Juilliard String Quartet 2019/2020 season programs, and more

The Juilliard String Quartet just wrapped up an exciting and acclaimed fall highlighted by Areta Zhulla’s debut as first violinist, alongside violinist Ronald Copes, violist Roger Tapping, and cellist Astrid Schween.

In September, the quartet gave the world premiere of Lembit Beecher’s One Hundred Years Grows Shorter Over Time, commissioned for the JSQ in honor of the 100th anniversary of South Mountain Concerts.  And in October, they toured Asia visiting cities including Hong Kong, Shanghai, Singapore, and Tokyo.

In January they return to Europe for two concerts at Wigmore Hall with further dates including CopenhagenThe HagueOsloLeiden, and elsewhere.   In North America, 2019 engagements include BuffaloDetroitVancouver, and the Kennedy Center and a special collaboration with pianist Marc-André Hamelin at the 92nd Street YPhiladelphia Chamber Music Society, and Music Toronto.

Juilliard String Quartet
2019/2020 Programs

PROGRAM I
Mozart: String Quartet in B-flat major, K. 458 “The Hunt”
Britten: String Quartet No. 3 in G major, Op. 94*
Brahms: String Quartet in A minor, Op. 51, No. 2

PROGRAM II
Beethoven: String Quartet in F Major, Op. 18, No. 1
Kurtág: 6 Moments Musicaux, Op. 44*
Beethoven: String Quartet in C-sharp minor, Op. 131

*Britten & Kurtag can be replaced by Dutilleux: Ainsi la Nuit

Contact us to learn more about the Juilliard Quartet in 19/20 – and beyond.

“This evening’s program featured the Juilliard Quartet in its latest incarnation, with new first violinist Areta Zhulla. Certainly the ensemble’s famed rhythmic precision and keen feeling for instrumental balance remains firmly in place, as does its ability to “play hard” without any unpleasant roughness of tone, but Zhulla also brought to her solos, especially in the slow movement of the “American” Quartet, a welcome degree of passion and spontaneity too. It sounds like she’ll make a fine addition to the team.”
– David Hurwitz, ClassicsToday.com

Juilliard String Quartet performs Dvořák’s String Quartet No. 12 in F, Op. 96, “American”; II, LIVE at WQXR’s Greene Space. Watch the first movement of Beethoven Op. 18, No. 3 here.

amarcord
amarcord - photo by Martin Jehnicen download

amarcord returns to North America April 17 – 26, 2020

Bendicamus Domino
Sacred Songs from the 19th and 20th Century

Benedicamus Domino – Let us praise the Lord: For centuries, composers have sought to set their hopes and their doubts to the Christian promise of salvation. amarcord presents a string of impressive examples from the 19th and the 20th century, as much disturbing as comforting.

Benedicamus Domino features works by
Hugo Wolf
Richard Strauss
Max Reger,
Carl Orff
Darius Milhaud
Francis Poulenc

and Krysztof Penderecki.

Other programs available; please inquire to learn more.

Noted for their unique tone, breathtaking homogeneity, musical authenticity and a good dose of charm and humor, amarcord performs a vast and highly diverse repertoire, from medieval plainsong to madrigals and Renaissance masses, compositions and cycles of works of the European Romantic period and 20th century, and arrangements of a cappella folksongs collected from all over the world.

Enjoy a selection of recent performances below – beginning with a special amarcord holiday song and message!

HAPPY HOLIDAYS from AMARCORD!

https://youtu.be/S9wT5fAPQGg

(Featuring Es ist ein Ros entsprungen)

https://youtu.be/ihYf1CbCSe8

amacord: The Book of Madrigals

Leipziger Disputation: A collaboration between amarcord and Calmus

Milwaukee Symphony Orchestra Names Ken-David Masur as Music Director

Milwaukee Symphony Orchestra Names Ken-David Masur as Music Director
Four-Year Contract Runs through 2022.23 Season

MILWAUKEE – November 12, 2018 – Following a 36-month international search, Ken-David Masur has been named the seventh Music Director and Polly and Bill Van Dyke Music Director Chair for the Milwaukee Symphony Orchestra (MSO). Masur is currently the associate conductor of the Boston Symphony Orchestra and principal guest conductor of the Munich Symphony. He will begin immediately as Music Director Designate and join the MSO as Music Director for the 2019.20 season as it builds towards the much anticipated grand opening of the Milwaukee Symphony Center in fall 2020.

“Through a committee composed of board members, donors and orchestra musicians, the search for the MSO’s seventh Music Director was deliberate and diverse, encompassing candidates from around the globe,” said Doug Hagerman, chairman of the MSO’s Music Director Search Committee. “Ken-David is a once-in-a-generation musician, conductor and innovator who boasts an impressive resume of accomplishments, yet is friendly and approachable. He was unanimously voted to serve as the next Music Director given his artistic brilliance and genuine passion for how the arts can unify people and communities. We are thrilled to welcome Ken-David and his family to Milwaukee.”

Critics from around the world have hailed Masur as “fearless, bold, and a life-force” (San Diego Union- Tribune) and “a brilliant and commanding conductor with unmistakable charisma” (Leipzig Volkszeitung). Masur began the 2018.19 season making his debut with the Chicago Symphony Orchestra at Ravinia, then returned to Tanglewood to conduct the Boston Symphony Orchestra. Over his career, Masur has made many successful debuts with the likes of the Los Angeles, Dresden, Israel and Japan Philharmonics; the Hiroshima, San Diego, San Antonio and Memphis Symphonies; and the Orchestre National de France in Paris. His guest engagements during the 2018.19 season include weeks with the Louisville Orchestra, the Detroit Symphony, and the Chicago Civic orchestra plus concerts abroad with the National Philharmonic of Russia, Collegium Musicum Basel, the Stavanger Symphony, and the Mulhouse Symphony Orchestra in France.

Masur made his Milwaukee Symphony Orchestra debut on May 19, 2018 and was immediately invited back to open the MSO’s current season in September 2018.

“My family and I are humbled and grateful to join such a fantastic team of orchestra musicians, chorus, staff and board members who are working in harmony for our audience and community,” said Masur. “In particular, I am inspired by the incredible community-wide collaboration to create the new performance home for the MSO. Having seen the plans and having visited the Warner Grand Theatre myself, it is clear it will become a destination as well as a point of departure for great programming befitting a city and region of this caliber. I’m eager to begin planning the next few seasons, which includes Beethoven’s 250th anniversary, as well as the much-anticipated opening of Milwaukee Symphony Center in the fall of 2020.”

Born in Leipzig into a family of musicians, Ken-David Masur first studied violin and piano at the Mendelssohn Bartholdy Conservatory and was a member of the Leipzig Gewandhaus Children’s Chorus. After moving to New York City, he received further training in composition, trumpet and percussion. He then went on to graduate from Columbia University, where he served as the first Music Director of the Bach Society Orchestra and Chorus from 1999-2002. He returned to Germany for post-graduate studies at the Detmold Academy and the Hanns Eisler Conservatory in Berlin. Masur and his wife, pianist Melinda Lee Masur, are co-founders and Artistic Directors of the Chelsea Music Festival in New York City, an annual summer festival of music, visual art, and food lauded by The New York Times as a “gem of a series.” He received a Grammy nomination from the Latin Recording Academy in the category Best Classical Album of the Year for his work as a producer of composer Miguel Del Aguila’s album, Salon Buenos Aires.

“Music allows us to feel what is essential, and through its expression begins a conversation about who we are and where we want to go” continued Masur. “This is why I’m so very excited to start with the MSO and communicate the music that will speak to each listener in personal ways. This is a great American city filled with creativity, imagination and ideas, and the music we will reveal will spark continued dialogue.”

“The relationship between the conductor, musicians and the audience is a magical alchemy,” said Mark Niehaus, president & executive director of the MSO. “Both on and off the podium, Ken-David leads and provokes, but also builds and inspires to create experiences that go beyond the notes on a page. His energy, passion and collaborative nature is the very right fit for the MSO, and also for Milwaukee as its reputation as a culturally vibrant destination continues to grow.”

About the Milwaukee Symphony Orchestra

The Milwaukee Symphony Orchestra is among the finest orchestras in the nation and the largest cultural institution in Wisconsin. The MSO’s musicians perform over 135 classics, pops, family, education, and community concerts each season in venues throughout the state. Since its inception in 1959, the MSO has found innovative ways to give music a home in the region, develop music appreciation and talent among area youth, and raise the national reputation of Milwaukee.

The MSO’s standard of excellence extends beyond the concert hall and into the community, reaching more than 40,000 children and their families through its Arts in Community Education (ACE) program, Youth and Teen concerts, Family Series, and Meet the Music pre-concert talks.

 

Milwaukee Journal Sentinel: Milwaukee Symphony names Ken-David Masur its new music director

“In naming Ken-David Masur its next music director, the Milwaukee Symphony has selected a conductor with worldwide experience, steeped in Germanic tradition, recognized for his collaborative approach and in love with choral music. ”

Read more here.

Jack Quartet by Beowulf Sheehan download

JACK Quartet is named Musical America’s 2019 Ensemble of the Year

The new music ensemble will be honored for its “fresh, energetic, and stylistically omnivorous approach to the contemporary repertoire”

JACK Quartet has been named Musical America’s 2019 Ensemble of the Year. In his tribute article, Allan Kozinn said of the quartet: “This group’s fresh, energetic, and stylistically omnivorous approach to the contemporary repertoire makes it a worthy heir to the tradition of new-music quartets that goes back to the Composers Quartet in the 1960s and rivals the Kronos and Arditti Quartets of today…If JACK thought a piece was worth programming, you wanted to be there to hear why.”

The announcement precedes the December publication of the 2019 Musical America International Directory of the Performing Arts, which, in addition to its comprehensive industry listings, pays homage to each of these artists in its editorial pages. The annual Musical America Awards will be presented in a special ceremony at Carnegie Hall on December 11, 2018.

JACK’s 2018-19 concert season will take them to 27 cities in 9 countries across 2 continents, performing numerous world premieres from a diverse selection of composers. The ensemble will continue to grow their presence in the UK and Europe with their debut at the Berlin Philharmonie, a return to Wigmore Hall in the UK, and concerts in Italy, Slovenia, Switzerland, and the Netherlands. The rest of the season will be in North America with performances in Canada, Mexico, and across the United States, including 9 educational residencies.

With world premieres by Cristina García Islas, Michel Roth, John Zorn, Miya Masaoka, Richard Karpen, Juan Pampin, and dozens of student composers, the JACK Quartet is set to feature a diverse body of new work. Performances will include works by Zosha Di Castri, Sabrina Schroeder, Liza Lim, Marcos Balter, and Andreia Pinto Correia, along with a special focus on the works of John Zorn, Tyshawn Sorey, Chaya Czernowin, and the complete quartets of Elliott Carter performed at London’s Wigmore Hall on April 6, and New York City’s Morgan Library & Museum on April 13.

See Full 2018-19 Season Announcement

Adam Golka, piano
Adam Golka, piano. Photo by Jürgen Frank. download

Adam Golka performs on the Van Cliburn Virtuoso series

Pianist Adam Golka performs a recital on the Van Cliburn Virtuoso series next week, on October 18.  He will play works by Beethoven, Chopin, Brahms, Paderewski, Michael Brown, and Roman Rabinovich at the Kimbell Art Museum.  See the digital program book here.

Read more about Adam’s most recent travels and performances in his latest newsletter, where he writes about his concert in Poland performing Mozart’s C Minor Concerto, K. 491 with the Leopoldinum Chamber Orchestra and Joseph Swensen; his time at the Krzyżowa-Music Festival, where he debuted as a poet narrating his original script in 3 different languages as he played Saint-Saëns Carnival of the Animals; and his presentation of the world premiere of his two piano arrangement of Debussy’s La Mer with French-Madagascarian pianist Yannick Rafalimanana, and more! –Including his debut last July with the San Francisco Symphony in Beethoven’s Piano Concerto No. 4.

Mark Kosower, cello
Mark Kosower, cello. Photo by Lim Jong Jin. download

Mark Kosower and fall 2018 concerts with ProMusica Chamber Orchestra, Canton Symphony, and The Cleveland Orchestra

This month cellist Mark Kosower opens ProMusica Chamber Orchestra‘s (Columbus, OH) 18/19 season alongside long-time friends and musical colleagues violinist Vadim Gluzman, and pianist Angela Yoffe with Beethoven’s Triple Concerto, led by ProMusica Music Director David Danzmayr.  (Kosower is a frequent guest artist at Gluzman and Yoffe’s summer North Shore Chamber Music Festival.)

The following week, Kosower returns “home” to the Cleveland Orchestra (where he is principal cellist) to perform Ginastera’s Second Cello Concerto led by Gustavo Gimeno (newly announced as the Toronto Symphony’s incoming Music Director). Kosower is long associated with Alberto Ginastera’s music; he was the first cellist to record Ginastera’s complete solo cello works, as well as both cello concertos (recorded with the Bamberger Symphoniker) and worked extensively with Ginastera’s wife, the cellist Aurora Nátola-Ginastera.

 

 

 

 

 

 

 

 

“Kosower’s virtuosity was on almost relentless display. Time and again, one’s jaw dropped as the cellist, suavely bolstered by his partner (pianist Jee-Won Oh), exploited his instrument in ways almost beyond belief, to stunning and haunting effect.”

Zachary Lewis, THE PLAIN DEALER on a 2016 Ginastera Recital

This month Kosower also joins the Canton Symphony for Dvořák’s Rondo for Cello and Orchestra, and Victor Herbert’s Cello Concerto No. 2 which he recently recorded for Naxos with JoAnn Falletta and the Ulster Orchestra. This engagement has an additional bit of resonance, as he will be performing alongside two of his Cleveland Institute of Music cello students who recently won positions in the orchestra!

“After studying it I realized how charming, lively, fresh, and youthful the concerto is as it utilizes the cello’s best registers and demonstrates its virtuosic capabilities.”

Mark Kosower on Victor Herbert’s Cello Concertos, STRINGS MAGAZINE

https://www.facebook.com/ClevelandInstituteofMusic/videos/1360960787369758/

Dashon Burton, bass-baritone. Photo by Tatiana Daubek.
Dashon Burton, bass-baritone. Photo by Tatiana Daubek. download

Dashon Burton summer wrap up, fall preview

Dashon Burton with Asmik Grigorian (Salomé) and Romeo Castellucci (director)
Dashon Burton with Asmik Grigorian (Salomé) and Romeo Castellucci (director)

After going on tour with the Cleveland Orchestra’s Prometheus Project to sing Beethoven’s Symphony No. 9 with Franz Welser-Möst at Severance Hall, Vienna, and Japan, Dashon Burton returned to the U.S. in time to open the Grant Park Music Festival in Chicago as soloist in William Walton’s Belshazzar’s Feast at the Jay Pritzker Pavillion in Millennium Park. Dashon spent his summer 2018 making his debut at the Salzburg Festival under Franz Welser-Möst in Salomé.

Dashon Burton is joining Craig Hella Johnson and his choir Conspirare to perform the powerful musical homage Considering Matthew Shepard at Ravinia tonight, then performs a recital program at Ashmont Hill Chamber Music in Boston that includes spirituals and Schumann’s Dichterliebe, Op. 48 this weekend.

Dashon’s orchestral engagements this fall include Beethoven Symphony No. 9 with the National Arts Centre Orchestra and Alexander Shelley later this month, and again in November with the Cincinnati Symphony and Louis Langrée; and Dvořák’s Stabat Mater with Music Director Andrés Orozco-Estrada and the Houston Symphony. Dashon returns to Philharmonia Baroque with Nicholas McGegan to sing Mozart’s Litaniae Lauretanae K. 195 and Coronation Mass, and sings Mozart C Minor Mass with the Grand Rapids Symphony Orchestra where he will return in the spring for the annual Bach Festival.

This December, Dashon takes a different route from his usual Christmas programs of Handel and Bach, to be in Paris for Peter Sellers’ production of Kopernikus featuring the vocal ensemble, Roomful of Teeth, of which he is an original member.