The Heath Quartet - photo by Simon Way
The Heath Quartet - photo by Simon Way. L to R: Chris Murray, cello; Oliver Heath, violin; Sara Wolstenholme, violin; Gary Pomeroy, violia. download

Heath Quartet releases albums, performs at Wigmore, and more

The Heath Quartet, which plays with “a winsome blend of impetuosity and discipline” (The Washington Post), has just completed a stint as Middlebury College‘s first-ever string-quartet-in-residence.

The residency featured the Heath performing the six Bartók quartets (which they also perform at Wigmore Hall in May 2016), works by Tchaikovsky, Haydn and Beethoven, and many other activities including coaching music students, visits with local elementary schools, and community pop-up concerts.

This winter they also returned to Wigmore Hall for a concert with pianist James Baillieu and for the Bartók cycle; won accolades for a last-moment substitution, performing a concert for the Club Musical de Quebec (read a review here); and performed a lively “house concert” at the Colbert offices during the January conferences.

These dates followed the December 2015 release of the five string quartets of Sir Michael Tippett, recorded live at a Wigmore Hall retrospective of the composer’s works:

“Finally came Tippett’s great Third Quartet, which can surely stand beside Britten’s quartets, or anybody else’s. Its wonderful slow movement was sustained by the Heath Quartet with amazing, rapt intensity, and the pinpoint focus and swinging energy they brought to the final fugue was simply dazzling.”

– Ivan Hewett, THE TELEGRAPH, Dec. 6, 2013

Watch a beautiful preview of the album, and the Heath’s work preparing the repertoire, in the video below.

In 2016, the Heath begin a new relationship with Harmonia Mundi, with a Summer release of the Tchaikovsky Quartets Nos. 1 and 3 (recorded at Milton Court in December 2015). They record the Bartók Quartets live at Wigmore Hall next Spring, to be released in May 2017 in conjunction with an appearance at the Berlin Konzerthaus.

Zuill Bailey Launched the Northwest Bach Festival this week

This week Zuill Bailey launched the Northwest Bach Festival (where Bailey is Artistic Director), joining the Matt Herskowitz Piano Jazz Trio in an opening-night performance, offering his “Bach’s Lunch” today, and leading chamber concerts through March 6.

He takes a break to come East this weekend, playing a Bach-inspired recital program at the Performing Arts Center at Purchase College.

Ursula Oppens, piano
Ursula Oppens, piano. Photo by Steve J. Sherman. download

Ursula Oppens at the 2016 GRAMMY Awards

Pianist Ursula Oppens strolls the red carpet at the 2016 GRAMMY Awards with her artistic and personal partner Jerome Lowenthal.  Oppens was nominated for Best Classical Instrumental Solo for the Cedille Records release featuring her recording of Frederic Rzewski’s “The People United Will Never Be Defeated!” (which Oppens premiered, and also recorded in an earlier version for Vanguard Records, which also received a GRAMMY nomination). Oppens and Lowenthal’s world-premiere recording of a new Rzewski work, Four Hands, a duet commissioned by and written for the pair, is also on the album.

Shortly before the GRAMMY ceremony, Oppens performed the solo version of “The People United…” at the Clarice Smith Performing Arts Center:

“It is probably safe to say that no single performer has done more for the cause of American piano music than Ursula Oppens…The ease with which Oppens accomplishes all this stems, on one hand, from the depth of her musicality and, on the other, from the sheer courage of her convictions.”
– THE WASHINGTON POST, Feb. 5, 2016

Anthony Marwood in St. Louis, Boston, and Miami Beach

Well established in Europe and Australia as leader/soloist with the Irish Chamber Orchestra, the Academy of St. Martin in the Fields, the Norwegian and Swedish Chamber Orchestras, Camerata Bern, and the Australian Chamber Orchestra, Anthony Marwood is quickly developing a singular North American presence, both as a soloist and as a leader who directs from the violin.

In March 2015, Anthony Marwood was named Principal Artistic Partner of Les Violons du Roy, where he has been a frequent guest soloist/leader since 2011 in an eclectic mix of Baroque, Classical and contemporary programs.

Marwood began February with a return to the St. Louis Symphony (an orchestra with whom he has a long-standing artistic relationship), doing a play/direct program featuring Bach’s Brandenburg Concerto No. 3, Dvorák’s String Serenade, and Peteris Vasks’s violin concerto, Distant Light, which he’s recorded on the Hyperion label with the Academy of St. Martin-in-the-Fields.
Hear Marwood speak about Distant Light’s compelling, ethereal beauty in this video:

“British violinist Anthony Marwood performed both as soloist and leader in three chamber works for strings from three very dissimilar eras…as both leader and soloist, he was top-notch, with every idea beautifully expressed.” – Sarah Bryan Miller, The St. Louis Post-Dispatch, Feb. 6, 2016

This spring, Marwood returns for a special appearance with A Far Cry, Boston’s chamber orchestra, to perform Bernstein’s Serenade in an all-American program of 20th and 21st century works. He also appears with the New World Symphony, performing Thomas Adès’s Concentric Paths, the 2005 violin concerto written for Marwood (Adès and Marwood are longtime collaborators and duo partners).

Watch Marwood perform the work with the Chamber Orchestra of Europe and Adès at the podium, below.

Alina Ibragimova with the Boston Symphony and Montreal Symphony

Alina Ibragimova’s debut performances at the Boston Symphony included the Hartmann Concerto funebre and the Haydn Violin Concerto in C Major: “Ibragimova’s faultlessly elegant playing captured it adroitly.” – The Boston Globe, Feb. 19, 2016

Ibragimova also performed the Beethoven Violin Concerto with the Madison Symphony:

“Alina Ibragimova, soloist, was brilliant. She is both expressively and technically nimble, and she owned the material, prodding and pulling on the tempo, balancing the decorum of the classical era with ease and play.” – The Capital Times, Feb. 13, 2016

This weekend, Ibragimova performs the Beethoven Concerto with Kent Nagano and the Montreal Symphony.

Jayce Ogren, conductor
Jayce Ogren, conductor. Photo by Rebecca Fay. download

Catching up with Jayce Ogren, in Texas, Colorado, Indiana, Missouri, and elsewhere…

With mounting success in both symphonic and operatic repertoire, Jayce Ogren is building a reputation as one of the finest young conductors to emerge from the United States in recent seasons.

Ogren is enjoying a busy winter, leading the Dallas Symphony in subscription performances (a special Valentine’s presentation of the film West Side Story with orchestra) and with the Colorado Symphony, in a program featuring works by Sibelius, Khachaturian, and Mussorgsky’s “Pictures at an Exhibition.”

The Colorado Symphony is offering a new pilot-test of live-streamed concerts; enjoy Ogren’s full concert with the CSO on their SoundCloud page, below.

Looking forward, Ogren leads performances with the Edmonton Symphony, and a special festival of contemporary and genre-bending music with the Indianapolis Symphony, the InFusion Music Fest. He also leads the world premiere of Shalimar the Clown in June 2016 with the Opera Theatre of Saint Louis.

The Juilliard String Quartet at Lincoln Center for the last time with Joel Krosnick

The Juilliard Quartet offered its second Lincoln Center concert of the season on Feb. 22, performing the Mozart “Dissonance” Quartet K. 465, Richard Wernick’s String Quartet No. 9 (NY premiere), and Schubert’s String Quintet D. 956, with special guest, cellist Astrid Schween.

Ms. Schween officially joins the Quartet in September 2016; this concert marked Joel Krosnick’s final Lincoln Center performance as a Juilliard Quartet member.

At the performance, Krosnick was awarded theJuilliard School’s President’s Medal, honoring his exemplary and inspiring 42 seasons with the Quartet.

Krosnick offered his personal insight into his unique career in this month’s Juilliard Journal; read the article here.

Marc-André Hamelin, piano
Marc-André Hamelin, piano. Photo by Sim Cannety-Clarke. download

Marc-Andre Hamelin at Carnegie Hall

Last week Marc-André Hamelinperformed a solo recital at Carnegie Hall’s Stern Auditorium, with a program featuring works by Mozart, Ravel, Busoni, himself, and Liszt.

“Mr. Hamelin, having spent much of his early career exploring pianistic showpieces on the fringes of the repertory, has a commanding technique. But there was no sense of slumming or condescension. As in his brilliant recordings of Haydn sonatas for Hyperion, Mr. Hamelin approached the relative simplicities [of Mozart’s Sonata in C Major, K.545]  with warmth and affection.
From there, he upped the ante repeatedly… Much the same could be said of Liszt’s punishing B minor Sonata. Mr. Hamelin, summoning tremendous power, played it magisterially, without ever losing sight of the fine thread connecting its various episodes.”

– James R. Oestreich, The New York Times, Jan. 21, 2016

Michael Stern, conductor. Photo by Todd Rosenberg. download

Michael Stern conducts Beethoven, Sibelius, and Scriabin

Maestro Michael Stern ended his 2015 leading concerts with IRIS Orchestra, and began this year with Midori in concerts with both the Kansas City Symphony and IRIS!

This week Stern leads the KCSO and Jeremy Denk in concerts of Beethoven, Sibelius, and Scriabin and looking forward he leads dates with the Jacksonville Symphony, the Curtis Symphony at the Kimmel Center, and the Israel Philharmonic.